If an old-school EQ is your cup of tea, we'd highly recommend slurping on this one. UAD Plug-Ins The World’s Most Authentic Analog Emulations For more than 20 years, UAD plug-ins and Apollo interfaces have set the standard in analog modeling with the world’s most authentic software emulations of classic analog hardware and vintage instruments, cocreated with the biggest brands in audio. The Satellite USB QUAD Ultimate is Universal Audios top-of-the-line package, with 89 UA-developed plug-ins. We're hugely impressed, and its signature sound is unique and will definitely offer something different.ĭo be aware, though, that its tendency is to render the material you run through it crunchy, warm and retro.Īpplied to a couple of signature sounds within a track, it can provide really pleasing cut and thrust and, alongside other EQs, sounds terrific. The Core package gives you the Analog Classics Plus plug-in bundle, while Custom adds a choice of any three individual UAD plug-ins at registration. That's not to malign the plug-in at all, though - quite the opposite. We all make different music and favour a different sound but, even if old-school disco is your sound of preference, we'd be surprised if you made the Harrison 32C your EQ of choice on every track of your production work.

The final controls deviate from the hardware original - an output gain, a phase invert switch and a power button. The high-pass stretches up to just over 3kHz, while the low-pass can drop to 1.6kHz. Find out how you can get free plug-ins and how much youll save by continuing below. Starting on November 15th, UA is adding free plug-ins to custom bundles and offering up special savings on LUNA bundles. The low EQ band can be switched between shelf and peak modes and, additionally, you'll find a switch to activate the high- and low-pass filters. Its the most wonderful time of the year and Universal Audio is making it even better with your chance to save on plug-ins. The bands overlap and, apparently, bandwidth for each is automatically adjusted by the EQ itself, though quite how this is possible neither we or the UAD manual can explain.

The main EQ section is divided into four bands, with +/- 10dB of gain available at each.Įach band is self-explanatory in that, as there is no bandwidth control, you only have the option to adjust the frequency you want to target within each and then make a level adjustment.

The two adjectives we'd use to describe the Harrison sound are 'crunchy' and 'warm' - exactly like the sound of vinyl, in fact.

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